Today the passage from "intellectual" to "imaginary" property is challenging traditional notions of ownership and personhood. It is the theft of the soul which in both, analog and digital modes, turns images into property or vice versa: property into imageness.

The Museum of the Stealing of Souls is devoted to histories of the invention, appropriation and reconfiguration of the subject by photography. The museum holds a fast growing collection organized in seven departments. The exhibits on show are reflecting alleged histories of soul-theft and surveillance, soullessness and alienation, immaterial production and precariousness -- loosely based on the question: Where can a soul live its life instead of saving it?